國際藝術村 / 駐村藝術家
Miji Yoon
地點
【館內】總爺藝文中心．紅樓
相關作品
尹美智 / YOON Miji
尹美智是一位出生在首爾的韓國藝術家，自2012年起在法國生活和工作。她經常被自然和人類之間的奇特關係所吸引。原本渴望成為一名糕點師傅並定居於東京。Miji的生活在2011年東日本大地震之後發生了巨大的轉變。她没有前往日本，而是在第二年到了法國，並參加川俣正在梅斯蓬皮杜中心所舉辦的 "水底 "展覽。這一系列的活動引導她，並打開她通往藝術世界的大門。
對美智來說，我們周圍的風景是由一位匿名藝術家--大自然本身--所創造的藝術品，經由它不斷地繪製、消除和重繪，時間和歷史的流逝。透過各種藝術媒介，包含攝影、錄像和繪畫，美智探索特定地點的藝術，創作她的臨時混合景觀。
Miji Yoon is a Korean artist born in Seoul who lives and works in France since 2012. She is often intrigued by the peculiar relationship between nature and human beings. Originally aspiring to become a pastry chef and settle in Tokyo, Miji's life took a drastic turn after the 2011 Tōhoku earthquake and tsunami. Instead of Japan, she arrived in France the following year and had the opportunity to participate in Tadashi Kawamata's exhibition, "Under the Water" at the Pompidou Center in Metz. These series of events guided her and opened the door to the art world.
For Miji, the landscapes that surround us are artworks created by an anonymous artist—the nature itself—which constantly draws, erases and redraws the passage of time and history. Through various artistic mediums, including photography, video, and drawing, Miji Yoon explores site-specific art to create her temporary hybrid landscapes.
For Miji, the landscapes that surround us are artworks created by an anonymous artist—the nature itself—which constantly draws, erases and redraws the passage of time and history. Through various artistic mediums, including photography, video, and drawing, Miji Yoon explores site-specific art to create her temporary hybrid landscapes.
糖廠物語-青瞑蛇
抵達臺南後，我被周圍陌生的植被所吸引和啟發。再加上這個地區曾經是麻豆糖廠的一部分，這使我想起了我對曾文溪傳說的研究；沿岸居民戲稱曾文溪為「青瞑蛇」，暗指它易於改道的特性。隨著水壩的建造，雖然防止了洪水，卻使「青瞑蛇」消失了。本次展覽「糖廠物語」旨在回憶、再現並重溫這些隱藏的故事。
Upon arriving in Tainan, I was fascinated and inspired by the unfamiliar vegetation surrounding me. Coupled with the knowledge that this area was once a part of Madou sugar factory, it brought to mind my research on the legend of the Zengwen river ; Residents along the shoreline jokingly
refer to the Zengwen river as the 'Blue Blind Snake', suggesting its tendency to divert.1 With the construction of the dam, although flooding has been prevented, it caused the disappearance of the Blue Blind Sneak. My project, “Sugar Plant”, aims to recall, recreate, and relive these hidden
stories.